Art in the Square Southlake Womens Club Youtube

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent fourth dimension in a fine arts museum, chances are yous know a lot about the men who "defined" their mediums. Equally with other subjects, well-nigh of what we learn about fine art history today all the same centers on white men from Europe and, later, the United States. In reality, in that location are and so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a expect at merely some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its well-nigh unsung heroes, these women artists all had a hand — and, in some cases, notwithstanding have a hand — in changing the world of fine fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than than 30 years. Afterwards studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps nigh well known for her series of Untitled Pic Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female moving picture characters, amidst them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A even so from the performance Cut Piece, 1964, and a pic of the installation Half-A-Room, 1967, as seen at the Museum of Mod Art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first recall of Yoko Ono as a musician and activist, but she's besides an accomplished performance and conceptual artist. Ono was considered a pioneer in the functioning art movement, earning the nickname the "Loftier Priestess of the Happening".

I of her most revered works, Cutting Piece, was a functioning she start staged in Japan; Ono saturday on phase in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her habiliment. "Art is like breathing for me," Ono has said. "If I don't practise it, I beginning to asphyxiate."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and particular). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied blueprint and was employed every bit a social worker. A printmaking constituent changed her entire career trajectory — and, in plough, part of the trajectory of art history.

Saar was function of the Black Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can go the viewer to look at a work of art, then you might exist able to requite them some sort of bulletin."

Frida Kahlo

People await at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'due south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded equally one of the near influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she'due south also known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Showtime Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that yous recognize Sherald'due south piece of work — and her signature grayscale skin tones — every bit she was the first Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, y'all likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just perchance, the skyscrapers of New York City. In the 1920s, she was the first woman painter to proceeds the respect of the New York art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Aureate Lion for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face truths virtually themselves. She frequently challenged people on the streets of New York to guess her race, socio-economical grade, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front end of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam'south cultural and religious systems and women. Moreover, Neshat's works oft create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer'southward work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that act equally meditations on various concepts, such every bit trauma, cognition, and hope. Ane of her more notable works, I Olfactory property You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the Offset Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous Due north American culture. In 2005, she was the first Ethnic woman to correspond Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Petty Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early on Feminist Fine art movement. Every bit exemplified in her iconic work The Dinner Party, her installation pieces often examine the function of women in history and civilisation — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Roughshod was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Cruel founded the Savage Studio of Craft in Harlem in 1932, and, a few years later, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just wait up her nigh famous piece of work, Interior Curl, and y'all'll see what we hateful.) She used her body to examine women'southward sensuality and liberation from the oppressive artful and social conventions established by our patriarchal social club.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'due south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her terminal proper name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Yet, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a style that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Bear on Honor at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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